USA’s ‘The Rainmaker’: A Traditional Legal Drama Review

In this article, we delve into USA Network’s ‘The Rainmaker,’ a traditional legal drama that combines compelling storytelling with a unique aesthetic.
Exploring USA’s ‘The Rainmaker’: A Traditional TV Legal Drama
To truly appreciate ‘The Rainmaker,’ one must first understand its home network, USA. Known for its reliable lineup of procedurals and audience favorites, USA Network may not be the go-to for groundbreaking content like FX, but it has crafted a unique aesthetic—one that showcases beautiful characters navigating dramatic human experiences such as murder, betrayal, and ambition.
Character Dynamics and Performances
‘The Rainmaker’ stays true to the network’s style, which isn’t necessarily a negative. While the casting seems to prioritize sharp jawlines alongside acting prowess, the leads, Milo Callaghan and Madison Iseman, deliver performances that can feel somewhat flat. Their chemistry, marked by conflict and misunderstandings, fails to create a relatable romantic connection, making it hard for viewers to root for them.
Legal Intricacies and Storyline
Based on a John Grisham novel, with the author as executive producer, ‘The Rainmaker’ takes creative liberties with legal details. While it occasionally adheres to procedural law, it often disregards it, presenting a somewhat fantastical view of the student-to-lawyer transition.
The central case—a grieving mother convinced that her recovering addict son died due to hospital negligence—provides a compelling narrative. Rudy Baylor (Callaghan), after losing his job at the prestigious firm Tinley Britt, takes on her case, setting up a conflict with his girlfriend, Sarah Plankmore (Iseman), who works for the opposing side.
Supporting Cast and Production Quality
The supporting cast shines, particularly Lana Parrilla as Jocelyn ‘Bruiser’ Stone, Rudy’s confident boss, whose charm and energy elevate the show. P.J. Byrne’s portrayal of Deck Shifflet adds comedic relief without becoming overly annoying. John Slattery’s nuanced performance as a manipulative partner at Tinley Britt adds depth to the narrative.
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Visually, the show communicates character dynamics through costume choices, with discussions around wardrobes highlighting different expressions of femininity and class.
Overall Impression
‘The Rainmaker’ offers a comforting viewing experience, engaging enough without delving into deeper societal issues. While it touches briefly on themes like opioid addiction, it refrains from a broader critique of the pharmaceutical industry or health insurance. Instead, it focuses on a singular crime narrative, avoiding political commentary and leaving viewers with a straightforward story.
Five episodes screened for review. Premieres on August 15th.