In this article, we explore how ‘Columbo’ masterfully executes character introductions, providing valuable lessons for writers.
How ‘Columbo’ Perfectly Executes Character Introductions
I’ve been binge-watching Columbo lately. While it may not be flawless, it stands out as one of the best examples of consistent TV writing. Each episode feels fresh, despite following a set formula, largely due to the interesting and unique characters that populate each story—and their memorable introductions.
Character introductions can sometimes be overlooked in writing, especially if we don’t consider the visual impact or what a character’s first appearance conveys to the audience. The challenge lies in how to communicate essential information about a character in mere seconds, allowing the audience to grasp who they are before the narrative unfolds.
Take, for example, Columbo’s debut in Episode 1, “Murder by the Book.” Directed by Steven Spielberg in 1971, this episode features one of television’s most brilliant character introductions, setting the standard for the entire series.
The lieutenant appears unexpectedly behind a recently widowed character at a drinking fountain, presenting himself as soft-spoken and approachable: “I’m just another cop.” His slightly rumpled appearance and awkward demeanor, coupled with his act of cooking for her in her own kitchen, make him instantly endearing.
We recently watched Brandon McNulty’s video on effective character introductions, so let’s extract his best tips and apply them here.
Establish an Emotional Connection
You have about 30 seconds to engage your audience, so choose your approach wisely. Evoke sympathy by showcasing vulnerability—a character grappling with loss or facing insurmountable challenges. Build empathy by revealing relatable motivations and highlighting your character’s unique skills.
Columbo immediately fosters empathy by assisting rather than interrogating. He is the only officer who genuinely shows kindness to the grieving widow, making us connect with his humanity.
Create Immediate Intrigue
There’s no need to reveal everything about a character right away. Part of what makes a story engaging is peeling back layers and discovering more over time. Your introduction can pose more questions than it answers.
With Columbo, we are intrigued by his motivations. We wonder how he manages to remain under the radar within the police force. Is he more perceptive than he appears, or is he genuinely bumbling? The first time I watched this episode, I was shocked to see him cooking for a victim—something I’d never encountered before.
Drop Viewers Into Their World
Avoid heavy backstory or exposition; instead, show us who a character is in the present moment. A surgeon should be performing surgery, not reminiscing about medical school. Trust your audience to pick up on context clues. Demonstrating their actions is far more engaging.
Columbo is a quintessential detective, always questioning, observing minute details, and appearing at crime scenes. The series focuses entirely on his professional life, with his home life remaining a mystery (his wife is mentioned but never shown).
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Build in Conflict
Static characters can stifle momentum. Your character should have a clear desire in their initial scene, with obstacles in their way. Internal conflict can be just as compelling.
For Columbo, the conflict is inherent. He is perpetually on the hunt for a murderer. His messy, self-deprecating demeanor often contrasts with the suspects, who are confident they will evade capture.
Consider Style
A character’s mannerisms, clothing choices, speech patterns, and overall presence reveal much about them. However, avoid overwriting; focus on impactful details.
For instance, you could succinctly describe Columbo: “A scruffy detective with disheveled hair, wearing a wrinkled raincoat and puffing on a cigar, squints in the LA sun.” He embodies an anti-style, defying the archetype of the suave detective. Embrace subversion!
Match Screen Time to Story Importance
Your main character deserves a memorable introduction, while minor characters may not require as much detail. If a character has only one line, you might skip description altogether, depending on your style.
As the title character, Columbo merits a significant introduction, but Spielberg opts for understatement over spectacle, which becomes the show’s norm. He often arrives late, humorously in his battered old car. It’s usually easy to identify the murderer quickly due to the focus they receive.
I somewhat disagree with McNulty’s critique of the bartender character from John Wick, as I find the suggested history between the two characters intriguing. If you, as a writer, lack clarity on a character’s identity or their connection to another character, their interaction may come off as bland. Why not add some flavor? I appreciate how that scene unfolds, even if it’s not pivotal to the overall plot. I enjoy an intriguing side character, even if they never reappear.
The key takeaway is to strike a balance. Understand your characters, knowing which ones to emphasize and which to let exit quietly.
What are some of your favorite character introductions? Feel free to share your favorite Columbo episode!
