Miles Playwright
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Opinion & Analysis
The Man in My Basement Review: Ambitious but Uneven Thriller Falters in Execution
Walter Mosley’s unsettling novel The Man in My Basement gets a bold but uneven adaptation in Nadia Latif’s debut feature.…
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Opinion & Analysis
Steve Review: Cillian Murphy Can’t Save Netflix’s Hollow School Drama
The Netflix drama Steve, directed by Tim Mielants and adapted by Max Porter from his novel Shy, tries to deliver…
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Opinion & Analysis
Charlie Harper Review: A Cyclical Indie Romance at TIFF 2025
Sometimes, a romance feels inevitable, as if the universe keeps pulling two people back together. Hollywood romances often rely on…
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Opinion & Analysis
Duse Review: Pietro Marcello’s Eleonora Duse Biopic Struggles to Find Its Voice
With Duse, filmmaker Pietro Marcello turns his lens on Eleonora Duse (1858–1924), the legendary Italian actress whose life and work…
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Opinion & Analysis
The Paper Review: Greg Daniels’ New Comedy Revives Workplace Magic on Peacock
The Paper, a new workplace comedy from Greg Daniels (The Office) and Michael Koman, lands on Peacock with a blend…
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Opinion & Analysis
Oscar Isaac Shines in Elvira Lind’s Intimate Documentary King Hamlet
Elvira Lind’s documentary King Hamlet is less about the mechanics of staging Shakespeare and more about the healing power of…
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Opinion & Analysis
Griffin in Summer: A Unique Coming-of-Age Story with Theatrical Flair
Vertical is set to release “Griffin in Summer” in select theaters on Friday, August 29, 2025, following its acclaimed premiere…
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Opinion & Analysis
“Honey Don’t!” Review: Ethan Coen’s Noir-Inspired Caper Falls Flat
Ethan Coen’s latest film, “Honey Don’t!”, premiered at the 2025 Cannes Film Festival and arrives in U.S. theaters on August…
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Opinion & Analysis
Boys Go to Jupiter: A Whimsical, Digital-Age Coming-of-Age Story with Heart and Humor
Julian Glander’s debut feature, Boys Go to Jupiter, redefines the coming-of-age movie for 2025 by embracing the aesthetics of mobile…
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