‘Scarlet’ Review: Mamoru Hosoda’s Bloody Anime Hamlet

In this review, we delve into Mamoru Hosoda’s latest film, ‘Scarlet’, a bloody anime adaptation of Shakespeare’s ‘Hamlet’.
‘Scarlet’ Review: A Bloody Anime Adaptation of Hamlet by Mamoru Hosoda
At the Venice Film Festival, many filmmakers are presenting their interpretations of the current state of the world. Directors like Luca Guadagnino, Yorgos Lanthimos, and Kathryn Bigelow are exploring themes of cancel culture, radicalization, and madness. Among them, Mamoru Hosoda, a former Studio Ghibli animator turned acclaimed director, is no exception. His previous film, 2021’s “Belle,” was a sci-fi retelling of “Beauty and the Beast.” In his latest work, “Scarlet,” Hosoda loosely adapts Shakespeare’s “Hamlet,” infusing it with his unique style.
Plot Overview
“Scarlet” opens with Claudius (Kôji Yakusho) plotting to murder his brother, expressing his desire to poison him. However, the popular king must be framed for treason instead. Young princess Scarlet (Mana Ashida) witnesses the brutal execution of her father. After Claudius poisons her, she enters the “Otherlands,” a purgatorial realm where she seeks revenge alongside others who share her plight.
Self-Discovery and Community
As is characteristic of Hosoda’s films, “Scarlet” evolves into a journey of self-discovery rather than mere vengeance. The Otherlands is populated by individuals from various times and backgrounds who find common ground despite their differences. Scarlet’s interactions with characters like Hijiri (Masaki Okada), a modern-day nurse, highlight the theme of living for others rather than oneself.
Political Undertones
The film addresses themes of social injustice reminiscent of James Gunn’s “Superman” and Frank Herbert’s “Dune.” Scarlet’s quest raises questions about selflessness and the impact of her actions on the community. Hijiri’s wisdom challenges her violent tendencies, teaching her that true strength lies in compassion.
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Conclusion
Despite its ambitious premise, “Scarlet” ultimately falls short of delivering a profound narrative. The film’s overly sentimental ending feels disconnected from the darker themes introduced earlier. While Hosoda’s animation skills are impressive, the story lacks the necessary edge to make this cultural fusion memorable. “Scarlet” serves as a reminder of the importance of collaboration in storytelling, suggesting that perhaps it’s time for Hosoda to seek new creative partnerships.
Grade: C+
“Scarlet” premiered at the 2025 Venice Film Festival and will be released in U.S. theaters on December 12.




