In his latest film, ‘Orphan’, director László Nemes delves into the complexities of identity and trauma in post-war Budapest, drawing from personal family history.
‘Orphan’ Review: A Personal Tale of War and Identity
Hungarian-Jewish filmmaker László Nemes returns with his first film in seven years, and it’s no coincidence that this is his third consecutive movie set in wartime. The neorealist film “Orphan” draws from his father’s upbringing in post-war Budapest, showcasing how global chaos profoundly impacts daily life.
Plot Overview
The film presents a compelling narrative, believable for a family history emerging from the anarchic atmosphere of Eastern Europe after World War II. A boy, Andor (played by Bojtorján Barabas), grows up with tales of a long-lost father, presumed to have perished in Nazi camps. Despite his mother Klara (played by Andrea Waskovics) insisting that twelve years is too long for a father’s return, Andor clings to hope.
However, the arrival of a burly butcher named Mihály (played by Grégory Gadebois) claiming to be Andor’s father triggers an existential crisis. Mihály is a brute, mistreating Klara and living a life steeped in violence and excess. Andor’s attempts to escape to the synagogue yield no solace, as the political turmoil in Hungary looms larger.
The Political Landscape
As the Soviets crush a rebellion against the puppet government in Budapest, Andor’s personal struggles are overshadowed by the chaos surrounding him. His best friend Sàri (played by Elíz Szabó) has a brother hiding from the authorities, adding to the tension. Amidst this turmoil, Andor’s adolescent romance with Sàri offers a glimmer of hope as they navigate the streets of Budapest together.
See More ...
Thematic Depth
Nemes’ exploration of the sentiment that these children would inherit a promised land in post-war Eastern Europe is far from optimistic. “Orphan” conveys that survival often necessitates uncomfortable alliances with unsavory characters. Klara’s pragmatic outlook disillusions Andor, leaving him to grapple with the harsh realities of their existence.
Visual and Auditory Craftsmanship
The film’s minimalist style sets it apart from conventional historical dramas. Nemes employs clever choreography and blocking, creating a unique visual experience. The cinematography by Mátyás Erdély captures a distinct aesthetic, while the score by Russian composers Evgueni and Sacha Galperine complements the film’s emotional depth.
Conclusion
“Orphan” premiered at the 2025 Venice Film Festival and is currently seeking U.S. distribution. This film is a poignant exploration of identity, trauma, and the complexities of familial ties against the backdrop of a turbulent historical period.
